The Game of Hope: a bibliography

The Game of Hope: a bibliography

This bibliography is the list of books and magazine articles I consulted in writing The Game of Hope. Some of them I consumed, others I simply scanned, looking for one particular fact. There are a number I’ve not listed — the annotated works of Jane Austen, for example, a number of which I consumed. Also, please note that I am not an academic, and have not used correct bibliographic style. Should you wish any further information about any of these references, please contact me.

  • —. De la naissance à la glorie: Louis XIV a Saint-Germain, 1638-1682. Musée des Antiquités Nationales; Saint-Germain-en-Laye; 1988.
  • — . A Guide to the Wrightman Galleries. The Metropolitan Museum of Art; NY; 1979.
  • — . Decorum; A Practical Treatise on Etiquette & Dress of the Best American Society 1879. Westvaco; 1979.
  • — . Eugène de Beauharnais; honneur & fidélité.
  • — . The Gentlemen’s Book of Etiquette and Manual of Politeness. Hesperus Press Ltd.; London; 2014 (but first published in 1860).
  • — . The reign of terror: a collection of authentic narratives of the horrors committed by the revolutionary government of France under Marat and Robespierre, Volume 1. W. Simpkin and R. Marshall; place; January 1, 1826.
  • —. Joséphine et Napoléon; L’Hôtel de la Rue de la Victoire. Musée national des châteaux de Malmaison et Bois-Préau; Paris; 2013.
  • —. La Reine Hortense; Une femme artiste. Malmaison; Paris?; May 27 – September 27 1993. —. Lucien Bonaparte et Ses Mémoires, 1775-1840. G. Charpentier; Paris; 1882.
  • —. Madame Campan (1752 – 1822). Château de Malmaison; Rueil-Malmaison; 1972. Catalog of an exhibition.
  • Abbott, John S. C. Hortense.
  • Al-Jabarti. Napoleon in Egypt. Translated by Shmuel Moreh. Markue Wiener Publishing; Princeton & NY; 1993.Alméras, Henri d’. La Vie parisienne sous le Consulat et l’Empire.  Cercle du Bibliophile. Albin Michel; Paris.
  • Anderson, James M. Daily Life during the French Revolution. Greenwood Press; Westport; 2007.
  • Atteridge, A. Hilliard. Joachim Murat, marshal of France and king of Naples. Brentanos; NY; 1911.
  • Aulard, A. Paris pendant la Réaction Thermidorienne et sous le Directoire. Tome V (July 21 ’98 to Nov. 10 ’99) Maison Quantin; Paris;1902.
  • Aulard, A. Paris sous le consulat. Vol. I. Maison Quantin, Paris; 1903.
  • Baldassarre, Antonio. Music, Painting, and Domestic Life: Hortense de Beauharnais in Arenenberg. An article published in Music in Art XXIII/1-2 (1998).
  • Bear, Joan. Caroline Murat. Collins; London; 1972.
  • Bergh, Anne de, and Joyce Briand. 100 Recipes from the Time of Louis XIV. Trans. by Regan Kramer. Archives & Culture; Paris; 2007.
  • Bertaud, Jean-Paul. Historie du Consulat et de l’Empire; Chronologie commentée 1799-1815. Perrin; Paris; 1992.
  • Bouissounouse, Janine. Julie: the life of Mlle de Lespinasse. Appleton-Century-Crofts; NY; 1962.
  • Branda, Pierre. Joséphine; Le paradoxe du cygne. Perrin; Paris; 2016.
  • Bretonne, Restif de la. Monsieur Nicolas; or The Human Heart Laid Bare. Translated, edited etc. by Robert Baldick. Barrie and Rockliff; London; 1966.
  • —. Sara. John Rodker, for subscribers; London; 1927.
  • Bruce, Evangeline. Napoleon and Josephine; The Improbable Marriage. A Lisa Drew Book. Scribner; New York; 1995.
  • Buchon, Jean Alexandre. Correspondance Inédite De Mme Campan Avec La Reine Hortense, Tome 1. (Replica.) Book Renaissance; 1835.
  • Burney, Fanny, edited by Joyce Hemlow. Fanny Burney; Selected Letters and Journals. Oxford Univ. Press; Oxford; 1987.
  • Burton, June K. Napoleon and the Woman Question; Discourses of the Other Sex in French Education, Medicine, and Medical Law 1799 – 1815. Texas Tech University Press; Texas; 2007.
  • Campan, Madame. Edited by M. Maigne. The Private Journal of Madame Campan, comprising original anecdotes of the French court; selections from the correspondence, thoughts on education, etc. etc. Nabu Public Domain Reprints of the book published by Abraham Small; Philadelphia; 1825.
  • Capellanus, Andreas. The Art of Courtly Love. Columbia Univ. Press; NY; 1960.
  • Carlton, W.N.C. Pauline, Favorite Sister of Napoleon.
  • Catinat, Maurice. Hortense chez Madame Campan (1795 – 1801), d’après des lettres inédites. Souvenir napoléonien; Paris; 1993.
  • —. Madame Campan ou l’éducation des nouvelles élites. An article in Napoléon 1er, #17. Napoléon 1er; France; Nov/Dec 2002.
  • Chevallier, Bernard. Malmaison en dates et en chiffres.
  • —. Vues du château et du parc de Malmaison. Perrin; Paris.
  • Clark, Anna. Desire; A History of European Sexuality. Routledge; NY & London; 2008.
  • Connelly, Owen. The Gentle Bonaparte.
  • Decker, Ronald; Depaulis, Thierry; Dummett, Michael. A Wicked Pack of Cards; The Origins of the Occult Tarot. Duckworth; London; 2002.
  • Delage, Irène, and Chantal Prevot. Atlas de Paris au Temps de Napoleon. Parigramme; Paris; 2014.
  • Desan, Suzanne. The Family on Trial in Revolutionary France. Univ. of Calif. Press; Berkeley; 2006.
  • Dickens, Charles. A Tale of Two Cities. A Reader’s Companion; Annotated Edition, With 780 Notes. Preface, Annotations, & Appendices by Susanne Alleyn. Spyderwort Press; Albany, NY; 2014.
  • Ducrest, C. Mémoires sur L’Impératrice Joséphine; La Cour de Navarre & La Malmaison. Modern-Collection; Paris.
  • Duthuron, Gaston. La Révolution 1789-1799. Librairie Arthème Fayard; Paris; 1954.
  • Dwyer, Philip. Citizen Emperor; Napoleon in Power 1799-1815. Bloomsbury; London; 2013.
  • Eveleigh, David J. Privies and Water Closets. Shire Publications; UK; 2011.
  • Fain, Baron. Napoleon: How He Did It. Foreword by Jean Tulard. Proctor Jones Publishing Co.; SF, USA; 1998.
  • Feydeau, Elisabeth de. A Scented Palace; the Secret History of Marie Antoinette’s Perfumer. Translated by Jane Lizop. I.B. Tauris; London; 2006.
  • Fierro, Alfred. Dictionnaire du Paris disparu. Parigramme; 1998; Paris.
  • Flandrin, Jean-Louis. Translated by Julie E. Johnson. Arranging the Meal; A History of Table Service in France. Univ. of Calif. Press; Berkeley; 2007.
  • Fullerton, Susannah. A Dance with Jane Austen; How a Novelist and Her Characters Went to a Ball. Frances Lincoln Ltd; London; 2012.
  • Garros, Louis and Jean Tulard. Itinérire de Napoléon au jour le jour 1769-1821. Librairie Jules Tallandier; France; 1992.
  • Germann, Jennifer. Tracing Marie-Eléonore Godefroid; Women’s Artistic Networks in Early Nineteenth-Century Paris. The Johns Hopkins University Press; place; 2012.
  • Gershoy, Leo. The French Revolution and Napoleon. Appleton-Century-Crofts; New York; 1964.
  • Giovanangeli, Bernard. (Éditeur) Hortense de Beauharnais. Bernard Giovanangeli Éditeur; Paris; 2009.
  • Girardin, Stanislas de. Mémoires. Paris; 1834.
  • Goodman, Dena. Becoming a Woman in the Age of Letters. Cornell University Press; Ithaca and London; 2009.
  • Gueniffey, Patrice. Bonaparte, 1769 – 1802. Trans. by Steven Rendall. The Belknap Press of Harvard University Press; Cambridge, Mass. & London; 2015.
  • Guerrini, Maurice. Napoleon and Paris; Thirty Years of History. Trans., abridged and edited by Margery Weiner. Walker and Company; New York; 1967.
  • Haig, Diana Reid. The Letters of Napoleon to Josephine. Ravenhall Books; UK; 2004.
  • Hibbert, Christopher. Napoleon: His Wives and Women. (On Google books.)
  • Hickman, Peggy. A Jane Austen Household Book. David & Charles; London etc.; 1977.
  • Hopkins, Tighe. The Women Napoleon Loved. Kessinger Pub Co; place; 2004.
  • Hortense. The Memoirs of Queen Hortense. Edited by Jean Hanoteau. Trans. by Arthur K. Griggs. Vol I & II.
  • Hubert, Gérard and Nicole Hubert. Châteaux de Malmaison et de Bois Préau. Ministère de la Culture; Paris; 1986.
  • Hubert, Gérard. Malmaison. Trans. by C. de Chabannes. Editions de la Réunion des musées nationaux, Paris 1989.
  • Huggett, Jane, and Ninya Mikhaila. The Tudor Child; Clothing and Culture 1485 to 1625. Fat Goose Press; UK; 2013.
  • Jacobs, Diane. Her Own Woman; The Life of Mary Wollstonecraft. Simon & Schuster; NY; 2001.
  • Joannis, Claudette. Josephine Imperatrice de la Mode; L’élégance sous l’Empire.
  • Johnson, R. Brimley. Fanny Burney and the Burneys. Stanley Pau & Co. Ltd.; London; 1926.
  • Katz, Marcus, and Tali Goodwin. Learning Lenormand; Traditional Fortune Telling for Modern Life. Llewellyn Publications; Woodbury, Minnesota; 2013.
  • Knapton, Ernest John. Empress Josephine. Cabridge, Massachusetts, 1963. Harvard University Press.
  • Le Normand, Mlle. M. A. The Historical and Secret Memoirs of the Empress Josephine. Jacob M. Howard, translator. H. S. Nichols. London. 1895. Vol. I and II. Originally published in France 1820.
  • Lefébure, Amaury, and Bernard Chavallier. National Museum of the Châteaux de Malmaison et de Bois-Préau. Museum; Montgeron; 2013.
  • Lofts, Norah. A Rose for Virtue. (A novel.) Doubleday; NY; 1971.
  • Mali, Millicent S. Madame Campan: Educator of Women, Confidante of Queens. Univ. Press of America; Washington DC; 1979.
  • Mangan, J.J. The King’s favour; Three eighteenth-century monarchs and the favourites who ruled them. St. Martin’s Press; NY; 1991.
  • Mansel, Philip. The Eagle in Splendour; Napoleon I and His Court. George Philip; London; 1987
  • Marchand, Louis-Joseph. In Napoleon’s Shadow. (Marchand’s memoirs.) Preface by Jean Tulard. Proctor Jones; SF, Calif.; 1998.
  • Marsangy, L. Bonneville de. Mme Campan À Écouen. Champion; 1879.
  • Martineau, Gilbert. Caroline Bonaparte; Princess Murat, Reine de Naples. Éditions France-Empire; Paris; 1991.
  • Masson, Fredéric. Joséphine, impératrice et reine. Jean Boussod, Manzi, Joyant & C.; Paris; 1899. On Gallica.
  • Masson, Frédéric. La Société sous le consulat. Flammarion.
  • —. Mme Bonaparte (1796-1804). Deuxième Edition. Librairie Paul Ollendorff; Paris; 1920.
  • —.Napoléon et sa famille. Vol. I (1769-1802) Librairie Paul Ollendorff; Paris; 1897.
  • —. Napoléon et sa famille. Vol. VIII (1812-1813) Librairie Paul Ollendorff; Paris; 1907.
  • Mayeur, Françoise. L’´education des filles en France au XIXiem siècle. Perrin; place; 2008.
  • McCutcheon, Marc. The Writer’s Guide to Everyday Life in the 1800s. Writer’s Digest Books, Cincinnati, Ohio, 1993.
  • McKee, Eric. Decorum of the Minuet, Delirium of the Waltz. Indiana Univ. Press; Bloomington & Indianapolis; 2012.
  • McPhee. Living the French Revolution, 1789-1799. Palgrave Macmillan; NY; 2009.
  • Millot, Michel. The school of Venus, or the ladies delight, Reduced into rules of Practice; Being the Translation of the French L’Escoles des filles ; in 2 Dialogues. 1680.
  • Mills, Joshua W. Imitatio Techniques from Classical Rhetorical Pedagogy. (A thesis) Johns Hopkins University; Baltimore; May 2010.
  • Montagu, Violette M. Eugène de Beauharnais; The Adopted Son of Napoleon. John Long, Limited; London; MCMXIII.
  • —. The Celebrated Madame Campan. Bibliolife, but originally published by Eveleigh Nash; 1914; London.
  • Montjouvent, Philippe de. Joséphine; Une impératrice de légendes. Timée Éditions; France; 2010.
  • Oman, Carola. Napoleon’s Viceroy; Eugène de Beauharnais. Hodder and Stoughton; London; 1966.
  • Osmond, Marion W. Jean Baptiste Isabey; The Fortunate Painter.
  • Pannelier, Alexandrine. Hortense et Eugène de Beauharnais à Saint-Germain. from her souvenirs. Bulletin 1981, Société des Amis de Malmaison.
  • Parkes, Mrs. William. Domestic Duties; or Instructions to Young Married Ladies on the management of their households, and the regulation of their conduct in the various relations and duties of Married Life. Pub; New York; 1829.
  • Pawl, Ronals. Napoleon’s Mounted Chasseurs of the Imperial Guard.
  • Pellapra, Emilie de, Comtesse de Brigode, Princess de Chimay. A Daughter of Napoleon; Memoirs of Emile de Pellapra, Comtesse de Brigode, Princess of Chimay. Introduction by Princess Bibesco. Preface by Frederic Masson. Translated by Katherine Miller. Charles Scribner’s Sons; New York; 1922.
  • Pitt, Leonard. Promenades dans le Paris Disparu. Parigramme; place; 2002.
  • Prod’homme, J.—G., and Frederick H. Martens. Napoleon, Music and Musicians. The Musical Quarterly, Vol. 7, No. 4, pp 579-605, Oct. 1921.
  • Reichardt, J. -F. Un Hiver a Paris sous le Consulat. (1802-1803). Librairie Plox E. Plon; Paris; 1896.
  • Reval, Gabrielle. Madame Campan, Assistante de Napoléon. Albin Michel; Paris.
  • Richardson, Samuel. Letters written to and for particular friends, on the most important occasions. Directing not only the requisite style and forms to be observed in writing familiar letters; but how to think and act justly and prudently. (reprint by Gale ECCO Print Editions); originally London; originally 1741.
  • Robiquet, Jean. Daily Life in France Under Napoleon.
  • —. Daily Life in the French Revolution. James Kirkup, trans. The Macmillan Co. New York, 1965.
  • Rogers, Rebecca. From the Salon to the Schoolroom, Educating Bourgeois Girls in Nineteenth-Century France. Penn State Univ. Press; Univ. Park, Penn.; 2005.
  • Saint-Amand, Imbert de. The Wife of the First Consul. Trans. by T. S. Perry. Scribner’s; NY; 1890.
  • Sand, George. Lettres d’un Voyageur. Penguin; Englan; 1987 (from original 1837).
  • Savine, Albert. Les Jours de la Malmaison. Louis-Michaud; Paris; 1909.
  • Schama, Simon. Citizens, A Chronicle of the French Revolution. New York, 1989. Alfred A. Knopf.
  • Schlogel, Gilbert. Émilie de Lavalette; Une légende blessée. France Loisirs; Paris; 1999.
  • Seward, Desmond. Napoleon’s Family. Viking; New York; 1986.
  • Shields, Carol. Jane Austen. A Penguin Life. A Lipper/Viking Book; NY; 2001.
  • Steinbach, Sylvie. The Secrets of the Lenormand Oracle. Self-published; na; 2007.
  • Stuart, Andrea. The Rose of Martinique; a life of Napoleon’s Josephine.
  • Sullivan, Margaret C. The Jane Austen Handbook. Quirk books; Philadephia; 2007.
  • Tour, Jean de la. Duroc (1772-1813). Nouveau Monde Editions; Paris; 2004.
  • Turquan, Joseph. The Sisters of Napoleon; Elisa, Pauline and Caroline Bonaparte After The Testimony of Their Contemporaries. Isha Books; India; 1908 (2013).
  • Warner, Sylvia Townsend. Jane Austen. Longman Group Ltd.; 1964; 1970.
  • Weiner, Margery. The Parvenu Princesses. William Morrow & Co; NY; 1964.
  • Whatman, Susanna. The Housekeeping Book of Susanna Whatman (1776-1800). Century; London; 1987. Originally published in 1776.
  • Whitcomb, Edward A. Napoleon’s Diplomatic Service. Duke University Press; Durham, N.C.; 1979.
  • Williams, Kate. Josephine; Desire, Ambition, Napoleon. Hutchinson; London; 2013.
  • Winegarten, Renee. Germaine de Staël & Benjamin Constant; A Dual Biography. York University Press; New Haven and London;2008.
  • Wright, Constance. Daughter to Napoleon; a biography of Hortense, Queen of Holland. Holt, Rinehart and Winston; NY; 1961.

{Photo above by Giammarco Boscaro on Unsplash.}

Where Hortense’s father Alexandre de Beauharnais was guillotined and buried

Where Hortense’s father Alexandre de Beauharnais was guillotined and buried

Tracking down facts can be a time-crunching task … but a very enjoyable one when the goal is in sight.

I began with a simple question: Where was Hortense’s father executed and buried? I think these were things she might have wanted to know.

images

{Portrait of Josephine and her two children, Hortense and Eugène, visiting their father in prison.}

False leads

In the process, I found many wrong answers … which reinforces the common knowledge that the Net can’t be trusted. However, I knew enough to know when the answer was wrong, and kept looking.

In the process I ended up making a correction to a Wikipedia page … which rather thrilled me. Alexandre was defined, simply, as the lover of Princess Amalie of Salm-Kyrburg, a friend of Josephine’s who secretly acquired the land after the Revolution because her brother is buried there. Not only was it curious that Josephine and their children were not mentioned, but I very much doubt that Alexandre was Amalie’s lover. Other women, certainly, but not Amalie.

guillotined

{Place du Trône-Renversé—now Place de la Nation—where Hortense’s father was guillotined.}

Alexandre was guillotined not in the Place de la Révolution (Place de la Concorde now) or Place de Grève (in front of the l’Hôtel-de-Ville), as if often claimed, but in Place du Trône-Renversé (now Place de la Nation), on the western edge of Paris. Apparently the other execution sites had become so bloody they had to find a new spot.

Mass executions at the height of the Terror

In a matter of about 6 weeks (from June 13 to July 27, 1794) 1306 men and women were guillotined, as many as 55 people a day. I imagine that it was hard work keeping the blade sufficiently sharp.

How to disposed of all the bodies?

It was also hard work disposing of the bodies. What is now the Picpus Cemetery was then land seized from a convent during the Revolution, conveniently close to Place du Trône-Renversé. A pit was dug at the end of the garden, and when that filled up, a second was dug. The bodies of all 1306 of the men and women executed in Place du Trône-Renversé were thrown into the common pits including 108 nobles, 136 monastics, and 579 commoners … .

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{The mass graves are simply marked.}

 

names of those guillotined

{One of two wall listing the names and ages of the dead.}

 

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{Le Cimetière de Picpus today.}

Of those executed, 197 were women, including 16 Carmelite nuns, who went to the scaffold singing hymns.

Nuns to be guillotined

4623442469_ce905dc3c0 257_Carmelites

In all the research I’ve done in Paris over the decades, I’ve yet to go to either the Place du Trône-Renversé (Place de la Nation) or the Picpus Cemetery. I believe I’m due.

Was Josepine very promiscuous?

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Portrait of Josephine before she met Napoleon.

It is always hard for me to read biographies about Josephine. I’ve yet to read one I don’t have a quibble with. The same holds for a “Great Lives” BBC broadcast I listened to recently on Josephine. It pleases me that Josephine was chosen as one of the “Great Lives,” but there were a number of statements made that I very much question. One statement made was that she was very promiscuous. I ask you: How many lovers does a “very” promiscuous woman have?

How many lovers did Josephine have?

For Josephine, there was General Hoche, and—as is claimed — Director Barras, and — also claimed — Captain Charles.

hoche copy

Portrait of General Hoche.

Although there is no absolute evidence regarding Josephine’s involvement with General Hoche, I personally believe that he might have been her lover. We really know nothing concrete, but Hoche was a lovable, attractive man, and she could very well have loved him.

Barras copy

Director Paul Barras

Regarding Director Barras, the question posed on the broadcast was, “What did she have to offer him?” The question was rhetorical: I.e. nothing, it was implied.

Au contraire. My historical consultant, Dr. Catinat, an authority on Josephine, told me that what Josephine had to offer were connections to wealthy Caribbean bankers, contacts she had made as a Freemason. (Women could be Freemasons then.) Barras, although powerful, was very much in need of financial aid, and Josephine was able to put him in contact with men who could help.

Josephine received money from Barras, no doubt, but Dr. Catinat felt that in balance, Barras was the one who came out ahead. This perspective is never mentioned. Instead, it is assumed that because Josephine was receiving money from Barras, she had to be sleeping with him.

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A UK political cartoon showing Josephine and her friend Therese dancing naked for Director Barras, Napoleon looking on.

Several mentions were made of the cartoon of Josephine and her friend Therese dancing naked for Barras, as if this was something that actually happened. They failed to note that the cartoonist was from the UK, which was at war with France. Enemies delight in portraying the enemy in a vile light. Again, while writing the Trilogy, I checked with my knowledgeable French consultants, who declared such stories untrue.

Was Director Barras heterosexual?

Dr. Catinat also told me that Barras was homosexual, possibly bisexual. He had no progeny — in spite of claims that he had many female lovers. I am personally inclined to think that he was more homosexual than bisexual, but there really is very little to go on.

Long ago someone told me that, in her opinion, Josephine was a woman who enjoyed the company of Gay men. Frankly, that rings true to me. Josephine was bohemian, and she loved men and women of the theatre and the arts.

And what about Captain Charles?

Which leads us to Josephine’s third so-called lover: Captain Charles.

Sweet Captain Charles, Josephine’s business partner.

Hippolyte Charles, too, had no progeny — that we know of — and although we know next to nothing about his personal life, in manner he was gay as a tea party. Supremely fashionable, he enjoyed dressing as a woman.

Furthermore, at the time when Josephine was supposedly having a torrid affair with the Captain, she was quite ill, suffering from fevers and violent headaches, likely brought on by a premature menopause (the result of her imprisonment during the Revolution).

The portrait of Josephine as a woman having a torrid love affair at this time is hard to fathom. I don’t know about you, but I simply cannot see Josephine in the bed of either of Director Barras or Captain Charles. And even if I could, would these three lovers make her worthy of the label “very promiscuous”? I think not.

The BBC broadcast mentioned that Josephine was mesmerizing to men. Yes, she certainly was. What they failed to mention is that she was well-beloved by women as well.  As a rule of thumb — at least in my book of Observations of the Human Species — is that a promiscuous, manipulative, calculating woman is given a wide berth by other women. Josephine was trusted by women.

I rest my case.

(For more on this theme, see Josephine: Saint or Sinner? (Who knows?)

What have I been doing?

Other than spending quite a bit of time in Physio Therapy to help my Hip Bursitis (ouch!), I continue to wrestle with the Moonsick outline. It’s a big job, but I’m happy to report that it is coming along.

Great links to share…

The news continues to be dire. I am given hope by the resilience and creative joie d’vivre of the Belgians in their response to the order not to post telling photos to social media during the lock-down. National emergency? Belgians respond to terror raids with cats. This one is one of my favourites:

Cat

This YouTube video of people dancing on a Paris Metro is pure joy to watch.

I belong to a FaceBook group of authors, and now and then one of the members asks for help with coming up with a title. One of the authors posted a link to a Title Generator. It may never come up with a usable title, but it’s fun.

I started writing historical fiction because I wanted to imagine a world “peopled” by horses. I no longer have a horse of my own, and my riding days are behind me, but I continue to be captured by these beautiful creatures. This video on wild horses is stunning.

Have a great week!

Tech challenges, a happy toddler & a Twitter surge — plus Sundae Sundries: links for writers & travellers, both virtual and real

Readers of this blog — I <3 you! — will already know that I went to a painting worship last Sunday, given by the talented Joyce Burkholder. It got me all revved up! I’m painting a bit every day, mostly following YouTube videos. (Awesome.) I love it. 

What I don’t love is that I can’t figure out how to share photos of paintings with you here. Our rural Net connection is never great—especially on week-ends—and our bandwidth is limited, so I’m putting off syncing my enormous photo library to iCloud. Which means, basically, that photos I take with my iPhone do not end up on my computer. Yes, I emailed them to myself…but they never showed up. And that’s another story. 

Not fair sharing my Tech headaches with you! Everyone suffers. 

And besides, I have a nicer photo to share, one I came upon recently, one that is already on my computer. This is granddaughter Kiki at our daughter’s wedding at the end of May. Such pride and joy!

DanielleBlancher_DSC_5383

{Photo by the wonderful Danielle Blancher of Toronto.}

It has been a week of highs and lows. Early in the week I learned that writer and friend Paul Kropp died. So sad. Such a shock! 

I also learned that an on-line interview of me had been posted to Jane Friedman’s blog. 

I’m very pleased with this interview. It is a rare pleasure to be interviewed by someone who has dug deep and asks interesting and pertinent questions. I like that the questions focus on the broader issues having to do with publishing in general. 

Jane Friedman has an enormous following—there was quite a flurry of attention on Twitter. Nice

And through all this, I write … It is coming along. 


This week’s delicious Sundae Sundries

(Is is a coincidence that I’ve developed an unrolling passion for ice cream this summer?)

SundaeWeb

 

Links for writers  …

• One of these days, I will emerge from my plot maze. In the meantime, I grab onto every life raft within reach. (I know, mangled metaphors.) Julianna Baggot is a wonderful writer — I interviewed her here and here some time ago — and her own plot analysis tool is intriguing. 

Be aware when research and prep become a crutch. At some point, you need to actually start WRITING. Indeed! That said, I read a research text late one night. The information gave me what I needed to finally write the scenes. 

• I’ve been listening to a new Elizabeth Gilbert podcast: Magic Lessons. It’s a run-up to a book she has coming out at the end of September: Big Magic: Creative Living Beyond Fear. I’m enjoying the podcast and I’ve ordered the book. :-) 

Links for all us time-travellers …

5 Creepy Victorian Fads. I do believe this stuff. 

High tech tools used to understand medieval manuscripts.

A link for real travellers … 

For a More Creative Brain, Travel

Have a great week!

Watercolour therapy, #BuzzFeed, spies & faux letters — plus Sundae Sundries: links for writers, readers & other dreamers

What a surprise! “13 Brilliant Authors You Probably Didn’t Know Are Canadian” C’est moi, #3, and on BuzzFeed, no less. 

Buzz Buzz

I’m posting this on Saturday, because I will be going to a watercolour workshop tomorrow, given by Joyce Burkholder.

I enjoy learning about brushes, paints and paper, colour and line. I’ve taken over a table at home, and poke away at a painting off and on all day, usually following an instruction video on YouTube. This is my latest, following this on-line lesson by Matt Palmer. 

FullSizeRender

Painting is a lovely thing to do between spells of writing and research. For me, right now, it’s all about learning technique and how to use the tools. (And, I must say, learning patience, as well.)  You can see all my paintings my website page.

I’ve been researching (and writing about) the daily routine at Hortense’s school in Saint-Germain-en-Laye. I was excited to discover Lettres de deux jeunes amis, which I took at face value, as letters between girls, one a student at Madame Campan’s second school in Ecouen. I was dismayed to learn that they’re fiction … yet written by Madame Campan, so in fact they are still of great value to me, because she would correctly describe how her school was run. 


This week’s delicious Sundae Sundries

SundaeWeb

 

Links for writers & other creatives …

• I love Amanda Hocking’s board on Pinterest: Writing Tips & Tricks & Other Helpful Advice. And, while you’re on Pinterest, check out my own board: Tools & Toys for Writers.

• One of the items on Amanda Hocking’s Pinterest board (see link above) caught my eye: Writers: Get Into the Writing Mood With This Free Online Tool.

Too cool! AudioSparx is a music site for film-makers, but it’s free for writers, who only want to listen. Click mood upper right, and click on the emotion of the scene you wish to write. (Ignore the occasional “review” word popping up.)

I just clicked on “Canned Monkeys” track in Hectic, but soon I’ll be switching to something in Confrontational as I prepare to write a scene in the WIP. This is fun, but it is also seriously effective. 

Links for perpetual students …

• Readers of this blog know that I’m a Coursera enthusiast. I’ve just signed up for Exploring Beethoven’s Piano Sonatas, because playing piano is one of Hortense’s many talents.

• For fans of Historical Fiction, this is a great course: Plagues, Witches, and War: The Worlds of Historical Fiction. Coursera courses are free, and once signed up you may watch the lectures at your leisure. 

Links for readers …

• Poor Doris Lessing! M15 spies followed writer Doris Lessing for more than 20 years. They even came with her on vacation. 

Have a great week!

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