Today, November 16, is World Falconry Day. This year the theme is specifically on female falconers, historically and currently. This is significant because traditionally falconry has been a male realm.
I’m in the research stage of writing a Young Adult novel about a young woman falconer in Elizabethan England, so naturally this caught my eye.
If you haven’t watched the award-winning documentary The Eagle Huntress, do! It’s amazing.
This video, too, is also about women practicing falconry with eagles:
The women talk about how hard it was at first. I’d like to know: Hard in what ways?
I’ve been bed-bound for over a week since a minor knee operation to repair a meniscus issue. I’m not going to whine about it! In fact, I’ve discovered that I’m the perfect candidate for this type of life.
Having neglected my website for years, I discovered a number of problems. Fortunately, I was able to find a great website person through Fiverr.com who is helping me. We have quite a bit to do yet.
(Frankly, I don’t know how authors who publish a book a year manage.)
An important part of getting my website more reader-worthy was setting up my Media page. Following the directions of Tim Grahl (see below), I learned to code my Media page so that high-definition images would be automatically downloaded with just a click. I’m fairly stoked that I was able to do this.
Also, on Fiverr.com, I found someone to turn the book cover of The Game of Hope into a 3D image (see above). For $5!
Easy Outreach with Tim Grahl
When it comes to marketing, I’m a fan of Tim Grahl, He’s experienced, down-to-earth and realistic. I’ve taken a few of his online courses, and they’ve always been worthwhile. Right now I’m following a new one he’s testing out, “Easy Outreach.” Basically, it’s about how to get interviewed on podcasts, but the detailed system he outlines would apply to any outreach: to blogs, vlogs, or podcasts, etc.
An important part of the process is to identify suitable podcasts and to study them before making a pitch. (I’ve discovered a number of wonderful podcasts in the process.) I’m kind of excited about putting this into practice. I ordered a USB Yeti mike, and already have one podcast interview scheduled for the fall.
I’m ready! Who knows where this might lead?
Finally learning Scrivener
I’ve promised myself that I would write The Next Novel on Scrivener. I’ve taken stabs at learning it before, but I’ve always ended up confused and frustrated. It’s a complex programme! I was on the verge of giving up when I came upon a Udemy Scrivener 3 course for Mac. It had excellent reviews so I went for it. It’s been fantastic. I have questions almost every day, and the teacher responds to every one. I take it bit by bit, and immediately apply what I’ve learned, so hopefully it will stick. I’m finally understanding why so many writers love it.
Additionally, I’ve been developing my next novel following the guidelines in Story Genius by Lisa Cron. Puzzling over how to get Cron’s scene card templates into my Scrivener project, I Googled “Story Genius Scrivener” and found a wonderful article by Gwen Hernandez on WriterUnboxed: Using Scrivener with Story Genius. Bingo! She even included a downloadable Scrivener template with scene card templates (and much more).
Watching movies, reading and listening to books and reading magazines …
And then, of course, there have been wonderful movies to watch: Three Billboards Outside Ebbing, Missouri; Call Me by Your Name; and, last night, Lady Bird. All were simply great. Of the three, I found Call Me by Your Name the most enchanting, swooningly European.
And then, of course, books, books, books! In addition to books on writing, I’m reading The Burning Girlby Claire Messud and listening, on Audible, to an amazing performance of The Hate U Give by Angie Thomas.
Today is my last day in “the bunker”—my lovely basement office in our Ontario home. I have another lovely office awaiting in Mexico, but this one (shown above) is my favourite, and I always feel a little sad leaving.
It’s said that “home is where your books are,” and that makes this place home: we’ve books everywhere here.
As soon as I finish this post, I will close the door on this office until next spring. I’ve tidied it well this year.
On the 1st of November, a little jet-lagged and travel weary, I will unpack my lovely office in San Miguel de Allende, Mexico.
As soon as I have my printer up and running, I will print out THE GAME OF HOPE (working title of The Next Novel). I’ve been thinking about it a lot and am ready to plunge into the next draft.
When I was asked by Penguin US if I would be interested in reading Salley Vickers’ new novel, The Cleaner of Chartres, of course I said yes. I’d read Miss Garnet’s Angel by her, and enjoyed it very much.
The Cleaner of Chartres is more unusual, more challenging in structure, but has something of the same charmingly old-fashioned feel to it. (I kept thinking Balzac.) I both loved this novel and struggled with it, and in the end I adored it.
The novel unfolds in the present (in Chartres, France), and in various other French cities in the past (Evreux, Rouen, Le Mans), revealing by stages the life of one woman, Agnes, the cleaner of the title.
Agnes is an able if mysterious young woman with a talent for sorting and cleaning, a vocation that pulls her into the messy lives of a number of people—and, in the process, complicates her own.
There are mysteries throughout: I won’t spoil it for you by revealing what these are, but suffice it to say that in coming to Chartres, Agnes is trying to escape a troubling past.
This is a gentle novel, peopled with charming eccentrics. Vickers is a polished writer with a charming sense of humour: I love the texture of her prose. My one reservation (and the cause of the struggle mentioned above) is that since there are a number of different characters in each city, I had to keep notes on who was where. A cast of characters would have helped, and a map would have been a pleasant addition as well.
I was especially delighted with the Afterword, where Vickers explains what happened to some of her fictional characters. As if—and yes, I do believe it so—they all went on living. A lovely touch.
“Realism with a subtle fairytale quality,” said the Publishers Weekly reviewer, and that captures it perfectly. Vickers is a wonderful novelist.
Life update: I’m preparing for Canadian Thanksgiving—a big event here!—and for heading to our winter home in San Miguel de Allende, Mexico, not long after. (See my last blog post on what that entails.)
The last draft of the Hortense Young Adult is tucked away until early November. In the meantime, in the early creative hours, I’m giving some thought to the premise, tag and log lines, using the guidelines from a worthwhile 3-session on-line course on “Rapid Story Development,” using, among other things, Enneagrams, a method for analyzing character.
Enneagrams are complex, but intriguing: I do love learning systems. Simply framing a premise with the help of the class guidelines has helped me see how the story needs to be changed.
Another thing I’m studying right now is the Lenormand method of foretelling the future—a type of Tarot which is surprisingly popular.
Madame Lenormand was a contemporary of Josephine Bonaparte; in fact, she lived close to Josephine’s delightfully eccentric aunt Fanny. Lenormand was famous for her accurate predictions; she exploited and enhanced her fame by becoming a prodigious writer and publisher on matters occult, as well of a faux memoir of Josephine (a “memoir” that has always intrigued me).
Madame Lenormand is unlikely to be a character in my Hortense novels, but her card-fortunetelling method might well be. In any case, I’m enjoying exploring the cards.
At some point, “playing” the cards was called The Game of Hope, my current working title—and one I rather like.
The calligraphy image at the top is from the wonderful Bibliodyssey blog.
I’ve been ill, slugging away at the “final” draft of The Next Novel in bed.
Yes: slugging. I find this final stage of taking a comma out and putting it back in (and more, I admit) somewhat tedious. I’m simply transferring my scribbled edits to a computer file, and I never (ever!) do this without thinking: could I contract this out?
The answer is: no. There are always mysteries that only I can solve. And, in truth, it is a pleasure to be so far along in the writing process to be obsessing about commas.
But I didn’t come here to complain, rather to share was looks like an inspiring blog: Brain Pickings, sent to me by a friend. Here’s a New York Times article on it. Cool. Tell me what you think.
And just so you know: I’m fully recovered. Every time I’m in the final stages of a novel I become convinced that I will die before it’s finished. Now, when that end-of-life conviction comes over me (and I wasn’t all that sick!), I think: Ah, almost there.
How do you respond in the final stages?
[Illustration: “Cork,” from the wonderful blog BibliOdyssey. Chosen for its many layers, so much like the process of building a novel.]
I love reading about the creative process through the lens of other arts. These inspiring quotes are from the amazing dancer, Martha Graham:
There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique.
And if you block it, it will never exist through any other medium and it will be lost. The world will not have it.
It is not your business to determine how good itis nor how valuable nor how it compares with other expressions. It is your business to keep it yours clearly and directly, to keep the channel open.
You do not even have to believe in yourself or your work. You have to keep yourself open and aware to the urges that motivate you. Keep the channel open. …
No artist is pleased. [There is] no satisfaction whatever at any time. There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.
What’s going on:
I’m working on draft 6.1 of This Bright Darkness (the Next Novel’s working title), trying to get it to my editor by the end of this month. Lots to do!
In the background, Kris Waldherr is working on getting the first of my Sandra Gulland Ink titles ready to launch into the stratosphere. Very exciting! Kris is a wonderful designer, and these e-books are going to be exceptional.